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Student-Centered vs. Teacher Centered
This year, I've made a deliberate effort to observe the personality dynamic of my classrooms, I’ve been able to strategically pick students helpers that will both self-regulate their individual sense ownership for the classroom and their learning as well as provoke other student’s sense of self.
This implementation alone has helped to:
- Maximize the organizational structure of my classroom
- Channel the influence (both positive and negative) into necessarily positive, leadership roles.
Other management practices that prove to be timelessly true and effective:
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Parent Phone Calls
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Documentation
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Calm Discipline
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CONSISTENCY!
Still, however, I have a long way to go before I may consider myself even proficiently effective:
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Organization (Personal & Student)
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Higher Expectations (More Homework Every Night)
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Grading / Giving Back Papers Immediately
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Consistency!
Even in my second year, 'successful' is not an adjective that I would use to describe my teaching practice. 'Effective' is the more contextually appropriate word, but neither can this be absolutely claimed. Teaching continues to be trying, strengthening, humbling, often rewarding, but 'successful' is something that it is not. For this reason, I look for the measurable gains in my individual students reading and writing ability in order to glimpse even the smallest semblance of success.
In the interest of privacy, I'll call my student Mariah. I received Mariah as a 15 year old 7th grade student who been absent for over a month of school the previous year during which time she was reported as a 'missing child' for having allegedly ran off with an older man. While, I am always of the belief that it is best to dismiss a student's past behavior history and receive them with new hope and new expectations it is more often than not that the student isn't far removed from their past which moreover informs the present, the student standing right there in front of you today. When Mariah would verbally and physically ( attempt to grab my hair) without any reservation or thought as to what might be the consequences, I realized that she had been shoved face to face with the crudeness of life and in comparsion, I was of no consequence whatsoever.
Although I consistently documented her behavior, administered her consequences, contacted her mother, and followed every other established protocol for following this behavior- I will not pretend to be at all responsible for her eventual turn-around. Rarely, does a student wake up one day, have an epiphany, and commit to changing their ways. This , however, is exactly how it seemed to happen to Mariah. It was the week of her birthday that I remember this sudden change in disposition, work habits, social interaction, ect. Perhaps, the sobering anticipation of her turning 16 inspired this change, but whatever it was, the moment that I noticed even her most subtle effort to comply and respect, I acknowledged it, thank her, and indirectly prompted her to reflect on the difference between her current and former behavior. The day of Mariah's birthday, I handed her a birthday/ thank you card that specifically acknowledged what I had noticed, what I had always believed she was capable of, and my conviction of how she would continue to succeed in the future. Mariah received this not with the timid embarrassment of most students who are acknowledged for doing the 'right thing', but with glowing pride. From that day forward, she continued to be a model student and channel her aggression, defensiveness, and hurt into the stimulus for emotion-filled, poignant free-writing. It gets even better...
Mariah loves to write, and she loves being complimented on her writing even more. This was not mere flattery, however, as I reserved my praise for those pieces that were truly exemplary. There was one poem, in particular, that was truly captivating and I truly believed that if entered in a contest or literary magazine, would be published. Jade was ecstatic at even the possibility of entering the contest and agreed to continue working with me to get it ready for publishing. The next few afternoons that we spent together, exchanging both verbal and written words, serve as one of the highlights of this past year, and moreover my lifetime. This in and of itself would have been a success, but it gets better... I mailed in her poem that Friday and three weeks later we were informed that Mariah received an honorble mention and a spot in the next issue! It didn't matter that she didn't 'win,' receive any monetary award, or even place. The mere mention of her name and presentation of her poem in a magazine was enought to leave Mariah with an unabated glow that painted her face for the next three weeks. This in and of itself was infinitely rewarding so that when Mariah's guardian-(aunt) came to personally thank me- it was no longer conceivable as to how I should be thanked, becuase truly, this was my privilege for which I have the utmost gratitude.
Sir Ken Robinson defines creativity as “the process of having original ideas
that create value”. He reiterates that it is a process and not a
random act of inspiration, and that it needs to prove its worth. He points out that creativity is not the opposite to formality – instead a
mixture of discipline and space to innovate are required. Robinson contends that
“creativity is as important as literacy and should be treated as
such.” Our schools are currently designed, like he said, in a
hierarchy, in which specific skills, namely math and languages, are
valued over others.
Sir Robinson mentioned a couple reasons why
having this hierarchy is ridiculous:
The purpose of education shouldn't be to get into college.
Believe in high standards does not mean education has to be standardized.
We don't need to reform education -- we need to transform it.
Creativity is a part of not apart from intelligence.
We don't grow in to creativity, we get educated out of it. One of the reasons why an academic hierarchy is ultimately futile is because people cannot accurately assign value to skills that may or may not be valuable in 30, 20, or even 10 years. If we cannot accurately assess what skills children will need for the future- how can we place a value or emphasis on any particular skill now? Sir Robinson further ridiculed the stress we place on children to be right and not make mistakes. Children, and people in general, need to be willing to make mistakes in order to create an innovation. In fact, some of the most well-known products (penicillin, coca-cola, etc) are the results of what was initially a 'mistake.' This all-out rejection of mistakes stifles creativity, perhaps, more than any one factor in our schools and in society.
By finding new ways to praise children’s efforts and ideas, and less ways to assess them on their mistakes, we will embrace the initiative to rethink the fundamental ways we educate children in the context of their endlessly, vast capabilities.
There are several points in Arne's Duncan's speech of which I dissent, however the overarching purpose: a plead to realize the urgency through which educational reformation must take place, is immediately and timelessly relevant.
“By almost any standard,” Duncan told a Columbia University audience of students, teachers, and faculty, “many if not most of the nation’s 1,450 schools, colleges and departments of education are doing a mediocre job of preparing teachers for the realities of the 21st century classroom.” While this statement is unequivocally true, Duncan's failure to state what specific component is 'mediocre' renders the potential effectiveness of the statement itself-at best mediocre. The abstractness of this earlier, 'mediocrity' claim is indicative of the circumlocutory speech that merely calls for, rather than offers a solution. Duncan does, however, reference what he considers 'pristine' models of schools of education. The shared characteristic that contributes to each of these programs' effectiveness is the central emphasis of a practicum or field experience.
To this end, I consider myself blessed to be a part of an equally propitious program- Mississippi Teacher Corps. Being able to immediately introduce the practical components of 'Advanced Methods in English' to my seventh grade class only two days after receiving instruction, both actualizes coursework and prevents instruction from becoming at all theoretical. Taking this course in preparation, rather than in conjunction with teaching would not have rendered the same lucrative advantage.
In especially the 21st century, teacher roles and responsibilities are ever-more demanding. At a time when teachers are required to not only instruct, but moreover be TST coordinators, committee coordinators, parent-teacher coordinators, behavior incentive activity coordinators, academic and behavior interventionists, as well as psychologists and/or (at times) social workers, not to mention literacy and exceptional education specialists - preparation today needs to require students to teach while receiving training. Preparation should include training in how to differentiate instruction and how to provide advisory services to students. The best training in this type of individualized education is not conceptual, but rather requires the teacher to regularly implement and actualize differentiated instructional practices with each of their students.
Critics of teacher preparation programs say that current teacher-training programs are too heavily steeped in theory and not useful in the classroom. They say that those who teach in schools of education are clueless about how to reach children with dyslexia, attention deficit disorder, Asperger’s syndrome or other learning challenges. To this end, Duncan understands that the only way to evaluate a teacher-training program is to look at how the teachers perform once in the classroom; the only way to do that is to measure how the students are doing.
With so much scrutiny aimed at measuring student performance from kindergarten to high school, many education schools never get around to asking the high-stakes questions about how well teachers are doing in their profession, where they received their training, how much they learned, and what can be improved. Until we start scrutinizing this part of the process, and look at who is teaching the teachers, we’ll never empower students to reach their academic potential and create a workforce that is globally competitive.
though i think arne duncan's speech on "teacher colleges" was pretty well-crafted, i don't know if i truly still understand the concept of a teacher's college. before i get into explaining why perhaps the most important thing could be to fund these institutions, i think i need to see if i actually believe in what they are aimed at doing.
Terrance Buckner is a teenager from Brooklyn and a graduate of the mothshop which seems to be some sort of creativity workshop where people get together and tell stories and read poems and the like. Anyway Terrance decided to share with an audience at the moth shop his experience of persecution when he first admitted he was gay to his family and classmates. Terrance tells a story where he admits to his mother that he is gay(because he feels she needs to know) and his brother finds out. His brother pronounces this the next day at school and people start questioning Terrance on his sexuality, to which Terrance admits he is homosexual. He then faces ridicule from friends and classmates and gets jumped after school. The next day Terrance decides to stand up to the bullies symbolically by wearing his "skinny" pants, sending the message that the bullying was not going to defeat him. In the end, Terrance feels he has won because he didn't let the bullying change who he was.
The story as a whole was a pretty stereotypical gay bullying story and its too bad that it happened. Unfortunately apart of being homosexual is being different(in terms of sexuality) from most of the population and kids pick on other kids who they deem as "different" or "wierd". Even though homosexuality is far more accepted now than it was in the past, the very nature that homosexuals make up a relatively small percentage of the population means that gay kids will always receive some ridicule or persecution from the peers, although this decreases with age.
As far as the story's relationship to teaching and education I suppose the moral of the story is to know who to trust, don't gossip, don't ruffle feathers, and always be yourself. Don't ever let others' negativity prevent you from being who you are and becoming the best person you can be.
The Rita Bender discussion was very interesting. First of all, I am absolubtely fascinated with American history. My grandfather was a civil war buff and collected old civil war antiques and would show me them from time to time. He also kept extensive historical data on my ancestors. He actually wrote a book documenting family trees and biographies on every ancestor of mine dating back seven generations. So needless to say, I was immediately hooked when given the opportunity to view actual excerpts from historically used textbooks. Its' so much better to recieve information from a primary source, and you really got to learn a lot about Mississippi culture at the time by viewing those documents. It's one thing to hear about past racial attitudes, but its quite another to actually be able to hold and view original documents of the time. Its' easy to see how so many people of the time grew up with racial bias as it was being blatanly taught in schools and without black and white school integration it was easy for the ideas expressed in the book to be accepted without question. Also the damage that the text may have had to the psyche of black schoolchildren is forseeable.
The questions in the essay contest also highlight significant racial bias and it was eye opening that that was being ingrained in Mississippi youth in the 1950's. Overall, the documents taught me more about Mississippi's racial history than anything I have heard since arriving. Again this goes back to being given actual education documents that were ditributed in the past to Mississippians.
The discussion itself was less educational than the historical documents and turned into more of a heated regional battle among MTC'ers with native northerners making broad unfair generalizations about the south and native southerners making unfair broad generalizations about New England.
The day concluded with an argument about whether a teacher who was teaching in a predominantly black school who had a stuffed monkey in her room was an ignorant racist(or something to that extent). Honestly I think we should be past the point where anyone associates black people with monkeys and I think the idea that someone would make that association was completely lost on the teacher. I don't think it was a big deal either way, but if it bothered one of the parents then it should be removed so the class can move on.
No, it doesn’t have to. No matter how constrained a teacher is, I’ve determined that school does not have to be a creativity killer. To apply some ancient, wise words (2 Corinthians 4:8-9): “We are hard pressed on every side, but not crushed; perplexed, but not in despair; … struck down, but not destroyed.” In other words, NCLB and the obsessive, accountability-driven administrative directives it begets cannot single-handedly kill creativity in the classroom. Sure, state tests “stigmatize failure,” as Ken Robinson states. Teachers, though, do not have to stigmatize failure.
Take a measure as simple as rewarding students for non-academic feats, for instance. Awarding Student of the Month to the most spirit-lifting comedian in the classroom validates him as much as a good grade. Teacher-initiated rewards address and negate Robinson’s contention that school only the intellectual successes at school are the winners. He contends that “the whole purpose of public education …is to produce university professors. … We shouldn’t hold them up as the highest form of achievement…they live in their heads.” Nay! The purpose of school is to make something productive out of young peoples minds and hours. Sure, there are ugly class wars circling around how those minds and hours are spent. But ideally, school is for producing more productive (emotionally, spiritually, vocationally --- not merely intellectually) members of society. School is where students have training wheels for how to function as adults. It’s a mini-society. I think Robinson would be a huge fan to Rousseau’s anti-social, child-centered vision of education. Unfortunately, as pastoral and sweet as this vision is, it falls short of what humans were created for: to serve and better each other.
No, schools do not “squander” the innate creativity in children wholesale, as Robinson overconfidently asserts. Schools are the environment in which time is set aside for creativity to be required. Without the structure of school, creativity wilts. Robinson is right to point out the paradoxical nature of creativity, such as that we do not mature into creativity, but rather we outgrow it, but he misses this important paradox about it: creativity needs structure just like fire needs oxygen. Without the push and the constraint to fuel creativity, or the probing questions of the teacher, or the small encouraging remarks along the way to the final creative product, a child’s creativity will be stifled. Also, in a school functioning properly, in which reading aloud and extolling reading should be a daily activity, the imagination will find no lack.
As to Robinson’s allusion to Picasso’s quote that we grow out of creativity, neither do I fully agree with this. Older children (teens) can use colors, tweak words, arrange sounds, plan projects and papers and speak more eloquently and purposefully than their younger counterparts. Who has the authority to say that creativity with more direction and eruditeness is somehow weaker than the innocent creativity that streams from a little mind? Classifying creativity in an hierarchy (eerily akin to what NCLB test standards do—classify schools and student achievement) and judging creativity as “the production of something both original and useful” (paraphrase) is rather utilitarian itself. Robinson defines creativity to uptightly, I’m afraid.
"The idea is that students will rise to whatever your expectations are, no matter how high they are."
This sentiment, ruminated by TFA alumni, Gary Rubinstein and endlessly quoted as an 'one-size fits all' amelioration of student failure- is just that- an 'idea.' This in itself, speaks to its overt fallibility.
Gary Rubinstein argues “....when you make things too complicated, students don't rise to your 'high expectations,' they lose confidence in themselves and, more importantly, they lose confidence in the ability of their teacher. Once they decide that their teacher is not competent enough to make 'appropriate level' lessons, they stop listening, start talking, and make it impossible to teach."
The preceding statement simultaneously identifies the cause as being a teacher 's poor pedagogical awareness and the effect as being poor student performance. Here, the cliché, “it takes one to no one,” shamefully holds true for me. I have been that teacher.
As such, however, I have come to distinguish between “mak[ing] things too complicated” and raising your expectations - they are not one in the same. Neither are 'expectations' synonymous with 'standards.' The incisive directive with which Ben Guest so purposefully equipped us, “Release yourself of all expectations,” is timeless and true.
While expectations are tailored to the individual and often perpetuated into lofty ideals, standards should have uniformity and are (intended to be) aligned with a state, national, or otherwise accountability factor.
To this end, 'Freedom Writers,' the very movie that Rubinstein (incorrectly) cites as promoting an 'unrealistic expectations sentiment,' actually evidences the case for realistic standards, not high expectations.
Although unrealistic in the movie's 'feel good' ending, the teacher, Ms. Erin Gruwell (Hilary Swank) in no way, blithely upholds expectations (that are invalidated even as she attempts to teach internal rhyme using Tupak Shakur.) Rather, she actively reflects and re-evaluates until she achieves a psycho-social, pedagogical, and otherwise awareness of her students.
It is only now, in the context of an acquired awareness of our students' reality, may we, like Ms. Gruwell, allow this awareness to inform what must be consistently realistic expectations and relevant standards.
the conversation with rita bender was pretty...sweet, to say the least. i talk A LOT, most of the time unnecessarily, during our meetings and classes. but with this, i really didn't want to. i wanted to sit back and take it in.